"Dredd was a creation of his time - it’s just that his time never seems to have ended," Wagner said. Wagner said he's been particularly taken aback by the degradation of democratic norms, or "a strange idiocy," as he calls it, in countries like Britain and the United States.
"I mean, people had more sense, hadn’t they?" American actor Sylvester Stallone stars as the titular law enforcement officer in the dystopian sci-fi film 'Judge Dredd', 1995. "It was just a story, a bleak dystopian future colored, I suppose, by our own politics and the increasing dominance of the right wing, but we never thought that deeply about it at the start, or ever really expected the future it portrayed to happen," Wagner said by email. What Wagner and Mills dreamed up for the British magazine, "2000 A.D." - adventures set in a future in which the irradiated landscape is pockmarked by giant crime-ridden cities policed by officers who serve as judges, juries and executioners - would grow popular enough on both sides of the pond to lead to two film adaptions, including a 1995 Sylvester Stallone vehicle. Climate change, a deadly pandemic, the fall of democracy and automation taking away jobs from humans were all baked into the story, but largely as a backdrop for the titular hero's violent adventures. And in the pages of books like Cormac McCarthy's "The Road" (2006) and Margaret Atwood's "The Handmaid's Tale" (1985), the dark visions laid out for the future seemed years away at worst.īack in 1976, writer John Wagner co-created the comic book character of Judge Dredd with editor Pat Mills with a goal to entertain, not envision. In recent decades, movies have also plumbed our fears of a future in which humanity has been devastated by overpopulation ("Soylent Green" in 1973), societal collapse ("Mad Max" in 1980), technology run amok ("The Terminator" in 1984 and "The Matrix" in 1999) and a turn to authoritarianism ("Blade Runner" in 1982 and "The Hunger Games" in 2012).įor the most part, though, those cinematic visions of a post-apocalyptic future have been more about popcorn than the kernels of truth.
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Written 35 years before its title, George Orwell's "1984" posited a totalitarian world full of mass surveillance that already bore a resemblance to Stalinist Russia of his era. Wells tinkered with "The Time Machine" at the end of the 19th century. The genre has been a popular form of catharsis for audiences slogging through their present existences since before H.G.
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